There’s a famous quote about people not remembering what you said but only what you made them feel. I’ve always felt this is equally applicable to books. It is not the structure or the grammar but the voice of a book, the story it tells and how it connects to you personally.
Eleanor Oliphant is awkward and judgemental and even unpleasant at times, but her flaws, her feelings and her (occasionally very dark) humour feel so real. Honeyman writes about extreme experiences and situations in a way that make them relatable – who hasn’t felt lost or isolated or out of place at some point? Who hasn’t had a moment where they needed someone else to remind them that they deserve to be happy too? She also makes you laugh, which is a massive achievement given the subject matter. And Eleanor loves books, especially ones with dogs in…so I’m completely sold!
Winterson describes this book as a work of fiction based on her childhood. It is beautifully written and funny and moving. A young girl who’s upbringing by an Evangelist mother makes it difficult for her to accept her sexuality, It is about feeling that you don’t quite fit in, not being sure of yourself and at the same time being sure you are not fully able to be yourself. I love the way chapters wander into fairytales just as children do when they want to escape. There are also fantastic reminders of growing up in Britain in the 60s/70s (which is a nice nostalgia trip for those of us who grew up then or grew up hearing about it).
My copy is full of sweet wrappers (orange Clubs and Penguins) where there were quotations I wanted to remember.
Here are some favourites:
In the library I felt better, words you could trust and look at till you understood them, they couldn’t change half way through a sentence like people, so it was easier to spot a lie.
Whelks are strange and comforting. They have no notion of community life and they breed very quietly. But they have a strong sense of personal dignity. Even lying face down in a tray of vinegar there is something noble about a whelk.
And my favourite:
Happiness is not a potato
(Although I’d say this is debatable as potatoes can definitely make you happy.)
From: That bookshop raid in Nailsworth (don’t worry, I paid for my plunder!)
Read: While on a mini-break with friends in the Cotswolds (cos I’m sociable like that) and finished the evening I got home.
Felt: drawn in, entertained, amused, heartbroken. All the things. And so very grateful that people are much more accepting, or openly able to be themselves in glorious technicolour now.
The bookshop owner said she’d just finished this and kept accidentally referring to it as ‘Bad Behaviour’ which I think says it all. Everyone here functions on their own terms and for their own ends. The art of Keane’s writing is that she has created characters that do awful things but seem not to be completely awful themselves. People do things mistakenly, out of misjudged love or hope or impulse. There is a lot of love but it is often either miscommunicated or misunderstood. There are also a lot of caricatures and absurdities but they hardly stand out in the bizarre world we are thrown into.
We see it all through the eyes of Aroon, the daughter of an aristocratic Irish family in the early part of the 1900s. Aroon doesn’t always quite understand what is going on around her, initially because she is a child and later perhaps because she continues to be treated like a child. This does mean that you are never entirely sure what is actually going on which just adds to the oddness. There is something so basic and understandable in Aroon’s yearning to be loved that you struggle to judge her too harshly.
No-one in this is wholly good or bad or even sane, but despite them being bonkers they are occasionally very insightful or relatable.
From: A lovely little bookshop in Nailsworth, where I went in saying ‘I’ll just fill my pockets’ and left with armfuls of books for our walk home
Read: while ‘snowed in’ and therefore forced to sit on the sofa, read and eat biscuits – it’s a hard life.
Felt: so bombarded by absurdities so that by half way through I was startled every time anyone seemed to have any sense or do anything normal.
Would recommend: this is a quick and interesting read. Because the narrator doesn’t always understand what is going on you have to do a bit of guesswork which actually makes it quite an engaging read.
This book is one of my favourites. I’ve read it repeatedly since first being introduced to it at school. It is beautifully written and Plath’s prose is as poetic as her poems. She has a knack for capturing the essence of anything in just a few lyrical words; from a thought or feeling to a whole situation or personality. It is one of the few books I have read that portrays someone with serious mental health issues and manages to emphasise the severity of their experience alongside their humanity, or ‘normality’ if you will. Esther Greenwood may be increasingly detached, depressed, delusional and struggling to engage with the world around her, but she is still just a girl who loves a bath.
There must be quite a few things a hot bath won’t cure but I don’t know many of them.
I never feel so much myself as when I’m in a hot bath
And just try to tell me you have never stood somewhere beautiful, looked around and felt this..
I felt my lungs inflate with the onrush of scenery—air, mountains, trees, people. I thought, “This is what it is to be happy.”
Plath shows you someone who is incredibly vulnerable and almost naive about life, but she is also intelligent and has had to make her own deductions about what is going on and what is expected of her. She also shows you other people’s reactions to mental health, and while some of the treatments have moved on since this was written in 1963 not all attitudes have. Continue reading “The Bell Jar – Sylvia Plath”→
This was a great romp of an adventure story, with a bit of falconry, a trip to Scotland and a remote island thrown in. I loved it but I know that’s mainly because it is a mix of all my favourite things so I’m not recommending you rush out and track this down!
Reading the notes on the author, John Buchan not only wrote the 39 steps but published FIVE books while at university. This man came from a family that was not at all wealthy, attended grammar school in Glasgow and was awarded scholarships to the University of Glasgow (which is beautiful) and then to Oxford where he couldn’t even afford to dine in college – and yet he ended up Governor-general of Canada. From the way this man describes grand landscapes and being outdoors, I bet that country suited him just fine!
Found: Oxfam bookshop
Read: on the train
Felt: swept up into a good old fashioned adventure story
Would recommend: to people who like a bit of early 1900s escapism
I’ve not even finished the book yet, and I’ve filled multiple pages with incredible, insightful quotes. I’ve found it fascinating to read about an epidemic now that so many people I know work with infectious diseases, although this book is less about a town dealing with an outbreak and much more about humans dealing with each other. Camus examines how people and their relationships respond to pressure, hardship, fear and hope. In places, the book reads almost like a sermon. There is one haunting paragraph that rings so clear and true; the writing is raw and powerful and, even in translation, it still sounds like poetry. This quote:
The evil that is in the world always comes of ignorance, and good intentions may do as much harm as malevolence, if they lack understanding. On the whole men are more good than bad; that, however, isn’t the real point. But they are more or less ignorant, and it is this that we call vice or virtue; the most incorrigible vice being that of an ignorance which fancies it knows everything and therefore claims for itself the right to kill. The soul of the murderer is blind; and there can be no true goodness nor true love without the utmost clear-sightedness.
In all honesty, I don’t know that much about Woody Allen other than some people find him funny. I love a funny book and so picked this up as an antidote to the excellent but sad book I was reading at the time. While I did find this book amusing, in a wry smile kind of way, it was also hard work. Allen’s writing is pretty laboured, full of long convoluted sentences that are very clever but in a ‘look at me I’m writing something wonderfully clever and wildly amusing’ style. I prefer the understated sort of humour that sneaks up on you and makes you laugh out loud. Thank goodness this is a short story collection because I could only muster the required energy to wade through it in short stints. The stories were interesting, neat little jibes at the weird world we live in – often based on short news clippings. And they were really quite clever, I just wish they didn’t have to make such a laborious display of it.
I am ridiculously fond of this book. It reads as if a very exciting and slightly eccentric uncle has come to stay and is sat in a battered leather armchair telling tales – each story as unexpected as the last. It is the best kind of travel writing; stuffed full of character, carting you off to places that may not even exist anymore, and never being quite sure what’s around the next bend.
Newby had a fantastic life and treats all of it as an adventure. The domestic details of growing up in London in the early 1900s are spun out with as much energy and colour as his travels abroad. It is nothing short of bizarre to find the man best known for ‘A Short Walk in the Hindu Kush’ spent a good few years of his life working in Ladies’ Fashion, and for John Lewis at that. As my own grandfather worked in a similar role in London in the 50s and 60s, it was rather touching to see this section of his life written with the same humour and energy as the more naturally exhilarating setting of crewing a tall ship across the ocean.
This tale is narrated by a very Dickensian gentleman of Wall Street. He is self important, prejudiced, stuffy and pretentious. His world, where everyone and thing has a proper place and a proper order, is rocked by the quietest of revolutionaries. A recently hired, and presumed respectable, Bartleby voices the phrase ‘I would prefer not to’. His polite refusal defies more than just a direct instruction but the whole construction of society. This is a display of individualism that the narrator cannot countenance. It reminded me of a child asking ‘Why?’. Rather than listening and engaging with Bartleby the man, our dear spluttering narrator tries to knock sense into him with the rule book, to no avail. Bartleby’s continual refusal to integrate and conform without reason or justification eventually leads him down a grim path. There is a lot that can be read into this, but I like the idea of someone who has stood back from everyone else burrowing through life and realised that there is no ‘must’ yet in applying this indiscriminately he opts out of more than just society but also the essentials of living.
Read: At the tail end of summer in Spoke and Stringer by Bristol’s floating harbour
Felt: it was a little dry in places but I loved the overall idea of the swathes of unease and upset caused by such a simple harmless phrase.
Would recommend: hesitantly, it is an interesting thing to have read but not the most captivating of books. In between fun ones, I’d say.
As per usual, I had all sorts of preconcieved ideas about this book that proved to be completely wrong – if only there was a suitable book-related idiom about not judging things on appearances…
Frank and April are a married couple in 1950s America. He was meant to be ‘something’ but now works in a mundane office job he hates. She is beautiful, a trained actress and now playing the suburban wife and mother. No-one is happy. To begin with, I thought this was going to be well written but dry – from the first page I was writing down quotes in my little green book of nicely made phrases but I wasn’t really emotionally involved.
The trouble was that from the very beginning they had been afraid they would end by making fools of themselves and they compounded that fear by being afraid to admit it.